Amphitheater, the ruins of the ancient Greek city of Troy, near Çanakkale province in Western Turkey. Photography: Bulent via Adobe Stock.
Geology & Geophysics
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The geology of Bronze Age epics

The deification of the fluvial processes and seismicity of Troy

A New Year brings new challeng­es, and for me, that means writing for GEO EXPRO. I am writing after the Xmas break which is tradition­ally eating, drinking and watching old films. This year those films included Troy (2004), and what a lot of geology that story has. Based on Homer’s epic poem The Iliad, the King­dom of Troy is named after King Tros, whilst the city of Ilium is named after Tros’s son, Ilus. Greek myths get very complicated, very quickly, so I hope you’re securely strapped-in to your mythological seats.

Ilus’s mother, and Tros’s wife, was Callirhoe, daugh­ter of the river god Scama­nder, who is geologically essential to the story. The city is located on a small hill overlooking the Plains of Ilium, which are the me­ander plain of the river Sc­amander where the battles between the Archaeans and Trojans took place.

We all know the death of Achilles, but less well-known is that he nearly died earlier in the story. Scamander was enraged by Achilles’s rampage of death and the tossing of the Tro­jan dead into his river, con­sidering it a desecration. In retaliation, he rose up in a furious flood to overwhelm the Greek hero.

This is plausible: A me­andering, anastomosing river becoming clogged and reworked by the actions of thousands of bronze-clad warriors. Rerouted and overbanked, once dry are­as flooded and well-worn pathways lost, so catching some unfortunate by sur­prise.

Achilles survived be­cause Hephastus, black­smith and god of earth­ly-fires, dried up the river and saved the day, or rather saved the deity. Hephastus was the god of volcanoes, and metals and ores, and thus our geological patron.

Troy, latterly famed for its Trojan Horse, but pre­viously a renowned horse culture, was a client king­dom of Poseidon, the God of the oceans, rivers and lakes, and, yes, horses. Yet Poseidon was more than that; he was also the god of earthquakes, known also as Ennosigeios, the “earth­shaker”.

Ennosigeios contains the Greek word σείω (seíō) “to shake” which is where we get the word seismic. Poseidon used his knowledge of earth­quakes to build incompara­bly robust new defences for the city, whilst his compan­ion Apollo played his lyre to inspire and beautify the construction. I think we’ve all worked with an “Apollo” at one time.

I have visited the ar­chaeological site of Troy and seen those walls. They are meticulously construct­ed, with intricately inter­locking stone blocks, sup­posedly earthquake proof. Troy is located in northwest Turkey at the boundary of the Eurasian Plate and Ana­tolian Microplate, with the devastatingly active North Anatolian Fault Zone run­ning directly through the kingdom. If anyone was best qualified to build the walls of Illium it would be Poseidon, Ennosigeios, Lord of Earthquakes.

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